With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
Why do you always insist on playing while I'm trying to conduct?
I wrote it the right way, so it was copied the wrong way right. I mean the right way wrong.
Let me explain what I do here. I don't want to confuse you any more than absolutely necessary.
It is not as difficult as I thought it was, but it is harder than it is.
I don't mean to make you nervous, but unfortunately I have to.
It is not together, but the ensemble is perfect.
The notes are right, but if I listened they would be wrong.
Someone came too sooner.
Start three bars before something.
Start at B. Yes. No. Yes. No.
Did you play? It sounded very good.
After two minutes after this time, and I am already there.
This is one bar you should take home.
Something went wrong. It was correct when I studied it.
That's the way it was every time I studied it.
There was confusion since I stood here 35 years ago.
During the rests - pray.
It has no rhythm, but it will because it's so much faster.
I don't get into politics, general or musical, but just call me if you get jury duty. Even in New Jersey I was able to help somebody.
It's hot as hell as can be.
I was trying to help you, so I was beating wrong.
I am thinking it right but beating it wrong.
I told him he'd have a heart attack a year ago, but unfortunately he lived a year longer.
The next movement is still in the factory.
Think of your girlfriend or boyfriend or whomever you want to.
Suddenly I was in the right tempo - but it wasn't.
Don't ever follow me, because I am difficult.
Watch me closely - only one can spoil it.
More basses, because you are so far away.
I need one more bass less.
Long note? Yes. Make it seem short.
Brass, stay down all summer.
Accelerando means in tempo. Don't rush.
It's difficult to remember when you haven't played it before.
Please follow me because I have to follow him and he isn't here.
That's the way Stravinsky was. Bup, bup, bup, bup. The poor guy's dead now. Play it legato.
Mahler wrote it as the third movement of his Fourth Symphony. I mean the fourth movement of his First Symphony. We play it third. The trumpet solo will be played by our solo trumpet player. It's named 'Blumine,' which has something to do with flowers.
Serkin was so sick he almost died for three days.
Let's start at 35 because I don't know where it is.
Write it down in your own handwriting.
Bizet was a very young man when he composed this symphony, so play it softly.
We have to play it longer because there are no numbers or letters.
We do not know when he is coming. He is coming tomorrow.
He was listening so I don't remember.
I can see none of you are smugglers; that's why it's so loud.
I know this music from memory, not from the music.
It's so legato it's difficult to splice. Sibelius was famous for that.
I always feel I do it too slow, but then others do it faster.
Muti is going to do the Alpine Symphony this year. He will do it well because it is not very well known.
Why do you always start after my beat then rush to catch up? Do you want us to stay behind?
Yes, the mutes are already on. You took them off in the beginning.
That was perfect. It was just the opposite from what I said yesterday.
There is a number missing. I can see it.
Don't think you are looking at me because you are not.
Congratulations to each and every one of you for the concert last night in New York and vice versa.
Thank you for your cooperation and vice versa.
Who is sitting in that empty chair?
I'm conducting slowly because I don't know the tempo.
I conduct faster so you can see my beat.
I cannot give it to you, so try to watch me.
Without him here, it is impossible to know how fast he will play it, approximately.
We can't hear the balance yet because the soloist is still on the airplane.